Top 10 Unseen Killer Movies - Dread Central
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Top 10 Unseen Killer Movies



Black Christmas

Many of cinema’s most memorable monsters are the ones that always remain just out of sight. After all, unless you’re Rob Bottin or Guillermo del Toro, no filmmaker’s creature design can match the intangible horrors lurking within our own imaginations.

Sure, there are plenty of flicks that benefit from shining a light on their gruesome antagonists – The Thing, The Howling, Pumpkinhead (I know there are better choices than the latter, but GOD did Gollum-on-roids freak me out as a kid). Then there are other movies. Ones that allow us only brief glimpses of the devil in the dark or the camera-shy serial killer. These are the movies that crawl under your skin in a way no conventional creature feature could.

So without further ado, here are ten of the scariest monsters and killers no one’s ever seen. Least no one living.

#10 THE MIST (2007)
This film and the Stephen King short story it’s adapted from find their power in our fear of the unknown. Here’s the concept: An otherworldly mist rolls into Bridgton, Maine, one morning. Within it lurks an ecosystem of inter-dimensional monsters let loose upon our world thanks to a misguided military experiment (go Army). Those stupid enough to walk into the mist are ripped to shreds within seconds. David Drayton, played by Thomas Jane, and his son hole up in the neighborhood grocery store with the local townsfolk, hoping to wait out the catastrophe.

Sure, you see some monsters in this movie. But more often than not, we’re shown just a tentacle of an unseen behemoth as it drags some poor soul to his death. All the while the townspeople stare out through the storefront windows wondering what will come for them next. It’s no wonder director Frank Darabont (The Green Mile, Shawshank Redemption) was drawn to this story… it’s a perfect horror movie concept.

The Mist

Here’s another Stephen King short story turned midnight movie. The children of Gatlin, Nebraska, sacrifice anyone over the age of 18 to He Who Walks Behind the Rows, an ancient fertility god living in the town’s cornfields. As if living in Middle America wasn’t Hell enough. But while the movie is meh, its concept is intoxicatingly weird. You never see He Who Walks Behind the Rows, except for the times it’s burrowing through the soil like a mole on meth. But the deity’s presence looms large over Gatlin and its kill-crazy kids. Frankly, it’s eerie to watch Linda Hamilton wander past those endless miles of maize with the knowledge that something’s out there. Waiting.


Death. It’s going to come for you one day. It might get you in your sleep. It might drop a three-ton glass plate on you, making your innards resemble an inkblot test. But death is the ultimate intangible fear. Which is why Final Destination’s concept — that if you cheat death, its (literally) unseen hand will then actively orchestrate your demise — is such a universally terrifying idea. Even better, Tony Todd makes an appearance, hamming it up as Bludworth, the film’s not-so-subtle personification of death.

Oh I’m not out of factoids yet. Final Destination was co-written (with Jeffrey Reddick) by Glen Morgan and James Wong (who also directed), the writers behind many of the best “The X-Files” and “Millennium” episodes.

Final Destination

For the cost of a used Nissan Altima, director Oren Peli created a national sensation. He did it all with creaking stairs, swinging chandeliers, and powder footprints. Nothing else. That’s right — Paranormal’s overactive demon remains invisible for the entire film. Which sounds lame. As does the recycled set-piece where we watch the world’s most basic couple snooze while Satan tries to snuggle with them like some maladjusted child. But the scares are so subtle and the setting so relatable that Paranormal Activity transcends its limitations to become a master class in minimalist horror.

Paranormal Activity

#6 THE FOG (1980) 

Director John Carpenter was so dissatisfied with the first cut of The Fog, he reshot 30% of the film. That’s commitment. Maybe not the same commitment it takes to come back from the dead, conjure up a supernatural fog, and kill your murders’ ancestors 100 years after the fact. But hey, who’s keeping score? Scoff at The Fog’s seemingly “Scooby Doo” inspired plot all you want, Carpenter really cranked up the gore dial on this post-Halloween ghost story. Still, it’s The Fog’s silent spirits that will haunt you the most. They kill virtually every person who glimpses their seaweed-shrouded forms. Which makes them menacing enough. Yet it’s the way these ghosts never utter a sound when they’re cutting off heads with cutlasses that makes them so dreadful. But what do you expect? The undead sailors of the Elisabeth Dane are an icy lot. Which is why they understand revenge is a dish best served cold.


Unlike the other movies on this list, The Town That Dreaded Sundown is based on actual events. In 1946 a serial killer nicknamed “The Phantom” brutally murdered five people in TexArkana, Arkansas. Sure, TTTDS’s dry narration and goofy comic relief date the film, but the cornier bits lull you into a false sense of security. So when the Phantom shoots Helen Reed in the face or carves up Peggy Loomis’ back with a pocketknife, the violence is shocking. Both in real-life and the film, the Phantom was never caught. Hell, no one ever even saw his face. The filmmakers do show him, or his boots at least, standing in line to see TTTDS at the end of the movie. It’s a cool meta moment, albeit a tasteless one. Still, I’m sure the image made a few TexArkana moviegoers cringe in 1976.

The Town that Dreaded Sundown

Richard Gere in a horror movie may sound strange. But no more odd than this flick’s monster, the Mothman. If you know your cryptids, the Mothman is an otherworldly being that can foretell the future. Some people have described it as a man in black with a bussing voice. Others say it’s an insectile alien with glowing red eyes. In the movie, however, the Mothman doesn’t have a definite form. But it does appear to Gere at one point as the blurred silhouette of a man. It doesn’t sound like much on paper… but the image of a distorted shadow whispering the universe’s secrets is unsettling. As the mystery unravels we have to ask ourselves: Is the Mothman a product of Gere’s fraying sanity? Or a being beyond human comprehension?

Mothman Prophecies

#3 CAT PEOPLE (1942)
Producer Val Lewton was given just $150,000 to make this movie. The budget constraints forced the creative team to come up with inventive ways to suggest the monster rather than show it. Even if said monster is a Serbian woman who turns into a panther when she gets turned on (I’m not kidding). But there are two reasons to watch Cat People. First, the use of low lighting demonstrates just how little you need to show an audience to elicit fear. Second, it is allegedly the first movie to EVER use a false scare. The technique, dubbed “The Lewton Bus,” refers to a moment in the film where a woman is about to be attacked by the panther. We hear a hiss and the woman turns in surprise… only to realize the sound was made by a bus stopping nearby. My theory? Every time a feline is used as a false scare in a movie, it’s a nod to Cat People.

Cat People

#2 IT FOLLOWS (2014)
I dig retro horror movies. So when I saw It Follows, with its synth score and slow burn pacing, I embraced it. The film’s real achievement, though, is its monster: a sexually transmitted haunting that can look like anyone. It always knows where you are, and it’s always lumbering toward you with deadly intent. I mean, think about it… this movie’s monster is just a series of kinda ugly people walking toward teenagers. What makes that rather absurd image scary is the idea that these people aren’t actually human. That they’re masks worn by some silent, single-minded entity. One that never shares its motivations or reveals its true form (if it even has one). Sounds like fear of the unknown to me.

It Follows

This isn’t one of my favorite horror films. It’s one of my favorite movies period. Black Christmas earns its place on my cinematic pedestal because of its villain, Billy. We only see him a handful of times throughout the film. Even then he’s lit in silhouette, his bulging eyes vignetted. Eyes we often see through as he butchers sorority girl after sorority girl, all the while screaming like a maniac. What do I mean like a maniac? He is a maniac. But what makes Billy even more frightening is that he’s a demented enigma. We don’t know what he looks like or where his madness stems from. Nor do we ever learn why he targets the sorority sisters he hunts throughout the film. All I want for Christmas is another movie with a killer this terrifying. This slasher was also brought to life by the same director who made A Christmas Story. How’s that for irony?

Black Christmas

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Did You Catch Chucky and King Kong’s Cameo in the Trailer For Steven Spielberg’s New Movie?



You may remember a few months back there was a kick-ass trailer for Steven Spielberg’s new action-adventure flick Ready Player One that sported a quick glimpse of not only Freddy Krueger, but Stephen King’s Christine as well.

If those slick horror nods weren’t enough for you, today we have the new trailer for the film and guess who shows up? Yep, you guess it (from the headline) but Mr. Charles Lee Ray lends a helping knife to a battle, and the king of the jungle, Kong himself!

Very cool.

The cameos in the trailer is one of those “blink-and-you’ll-miss-it” things, but let’s hope he has a bit more screentime in the actual movie. By the way, is Ready Player One reminding anyone else of the “Imagination Land” episode(s) of “South Park”…?

You can check out the trailer below and then make sure to let us know what you think!

The film is directed by Steven Spielberg, based on the novel by Ernie Cline, and stars Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Simon Pegg, Mark Rylance, T.J. Miller, Hannah John-Kamen, and Letitia Wright.

Ready Player One hits theaters March 30, 2018.


In the near future, outcast teenager Wade Watts escapes from his bleak surroundings by logging in to the OASIS, a globally networked virtual utopia where users can lead idyllic alternate lives. When the eccentric billionaire who created the OASIS dies, he offers up his vast fortune as the prize in an elaborate treasure hunt. Along with gamers from around the world, Wade joins the adventure, and quickly finds himself pitted against powerful corporate foes and other ruthless competitors who will do anything, in the oasis or the real world, to reach the treasure first.

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The Shape of Water Scores 7 Nominations at This Year’s Golden Globes



Earlier today we let you know Jordan Peele’s horror-thriller Get Out scored nods at this year’s Golden Globes for Best Motion Picture and Best Actor – both in the Comedy category.


That said, another film from our beloved genre is getting some love in the form of writer-director Guillermo del Toro’s new creature feature The Shape of Water.

The film was given nominations in a staggering 7 categories including Best Motion Picture – Drama, Best Performance by an Actress in a Motion Picture – Drama for Sally Hawkins, Best Performance by an Actress in a Supporting Role in any Motion Picture for Octavia Spencer, and Best Performance by an Actor in a Supporting Role in any Motion Picture for Richard Jenkins.

Del Toro also scored nods for his work as director and co-screenwriter for the film.

You can check out the full list of nominations right HERE.

The film is directed by Guillermo del Toro, written by Vanessa Taylor and del Toro, and stars Sally Hawkins, Michael Shannon, Richard Jenkins, Michael Stulbarg, and Doug Jones.

The Shape of Water is currently playing in theaters.

In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of silence and isolation. Elisa’s life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment.

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Get Out Scores Golden Globe Nominations… as a Comedy



It was a few weeks back now when we let you guys in on the rather puzzling news that the Golden Globes was considering Jordan Peele horror-thriller Get Out as a nominee…

As a comedy.

As strange as that news was, it seems it wasn’t a joke in its own right as Jordan Peele’s Get Out has scored a nomination for Best Motion Picture – Musical or Comedy. The news broke this morning with the full release of this year’s nominations via EW.

You can check out the full list HERE.

One cool thing is that actor Daniel Kaluuya also scored a nod for Best Performance by an Actor in a Motion Picture – again, Musical or Comedy. Sad and borderline ridiculous that Peele didn’t score nods as director OR screenwriter. For shame, Golden Globes.

What do you think of this news? Are you just glad Get Out got SOME love from this year’s Gloden Globes, or could you care less about awards season? Let us know below!

Now that Chris (Daniel Kaluuya) and his girlfriend, Rose (Allison Williams), have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway upstate with Missy and Dean. At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship; but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could never have imagined.

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