AFM 2016: Vision Films Acquires The Evil Within; New Trailer and Artwork - Dread Central
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AFM 2016: Vision Films Acquires The Evil Within; New Trailer and Artwork

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The Evil Within (aka The Storyteller) made a big splash at the American Film Market this past weekend with Vision Films acquiring worldwide rights and planning a domestic release in North America in 2017.

We have all the details below along with the film’s new trailer and artwork.

From the Press Release:
The Evil Within is the first and only film written and directed by the late Andrew Getty, grandson of oil tycoon J. Paul Getty. Andrew Getty was a horror film fanatic, The Evil Within being his passion project that took over a decade to complete. Getty and his FX team created their own complex special effects and animatronics and shot much of the principal photography in his home.

The Evil Within stars Frederick Koehler (Death Race), Sean Patrick Flanery (Saw 3D: The Final Chapter), Dina Meyer (Starship Troopers, Saw), Michael Berryman (One Flew Over the Cuckoo’s Nest, The Hills Have Eyes), and Kim Darby (True Grit). It was produced by Robert Hickey, Kent Van Vleet, and Michael Luceri.

Dennis Peterson (Koehler) is a mentally challenged teen who lives with his older brother, John (Flanery). While John struggles between caring for Dennis and maintaining a relationship with his increasingly impatient girlfriend, Lydia (Meyer), Dennis finds a friend in his own reflection in an antique mirror. But in reality the reflection is soon revealed to be an evil entity (Berryman) who is more charming, smarter, and stronger than Dennis and instructs him to do horrific things in order to “fix” his brain.

Tortured and confused, Dennis embarks on a murderous rampage, collecting the bodies in his basement. A police investigation, helmed by a determined social worker (Darby), targets the Petersons in an attempt to uncover the truth behind the murders. With the walls rapidly closing in, Dennis makes his final play… with dire results.

Producer Luceri says, “After Andrew died, I made it my mission to see that his film was completed. I have been on this project from the beginning. Andrew was such a perfectionist; each and every shot had to be perfect before he would move on. When he was young, Andrew told me that he would have these really powerful, twisted dreams, so scary that he didn’t want to believe they came from inside him, so he had this idea that it was this ‘storyteller’ who created the dreams, and that became the genesis of the film’s story.”

Vision Films’ Managing Director/CEO Lise Romanoff states, “This film is downright mesmerizing and creepy. It is such a shame that the Getty family, while blessed with such great wealth, has suffered so much tragedy. I hope we make Andrew and his family proud by releasing this incredible work of art.”

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Ash Faces His Greatest Challenge Yet in the Ash vs Evil Dead Season 3 Trailer: Parenthood!

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The first trailer for the third season of STARZ’s incredible horror comedy series “Ash vs Evil Dead” has been released and it’s full of balls to the wall Evil Dead goodness! You’ve got creepy dolls, obscene amounts of gore, vicious iPhone cases, and a Deadite that just so happens to be as tall as a building! Oh, and you’re also introduced to Ash’s daughter, Sandy? Mandy? Oh, yeah! Brandy! You can watch the trailer below. Thanks IGN!

“Ash vs Evil Dead” season three premieres on Starz on Sunday, February 25th.

Synopsis:
Ash, having gone from murderous urban legend to humanity-saving hometown hero, discovering that he has a long-lost daughter who’s been entrusted to his care. When Kelly witnesses a televised massacre with Ruby’s fingerprints all over it, she returns with a new friend to warn Ash and Pablo that evil isn’t done with them yet. But evil will learn to never get in between a papa bear and his cub.

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Brennan Went to Film School: Unlocking the Hidden Meaning in Insidious: The Last Key

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“Brennan Went to Film School” is a column that proves that horror has just as much to say about the world as your average Oscar nominee. Probably more, if we’re being honest.

WARNING: THIS ARTICLE CONTAINS DETAILED SPOILERS FOR INSIDIOUS: THE LAST KEY. READER DISCRETION IS ADVISED.

Blumhouse had quite a year last year, didn’t they? In addition to having three number one hits on their hands, the racial satire Get Out is their first horror entry to get awards traction thanks to its deeper themes. Now that everyone is starting to take the company and its work a little more seriously, it’s time to bring out the big guns and dive right into some deeper analysis into a much more unlikely subject: Insidious: The Last Key. The fourth entry in their tentpole haunted house franchise might not seem like it at first glance, but it’s the Get Out of the Me Too era, telling a story of women’s struggles while predicting the downfall of powerful, abusive men that started to occur during its production process with eerie accuracy.

No, seriously. Let’s start by taking a look at the villain. Unusually for this franchise, the baddies are both paranormal and human: halfway through the film it is revealed that the haunting victim who has called Lin Shaye’s Elise and her crew is also a sadistic killer who has chained up a woman in his basement. This is also revealed to be the very same thing Elise’s father did many decades before. The film implies that both men are being influenced by the key-wielding demon that inhabits the house.

Key imagery is very important to the film as a whole (I mean come on, it’s literally in the freakin’ title), and its themes of Elise arriving to her childhood home to unlock the secrets of her past. But there’s more than one meaning to that imagery, and understanding those meanings is the key to unlocking the subtext of the film, if you’ll allow me a really obvious pun.


The demon KeyFace might be influencing the men, but they’re still receptive to the idea. That’s because he’s awakening something that was already inside them. Keyface represents the pure male id; the unconscious, animalistic desires and drives that lay buried in the psyche. He’s not forcing them to behave in this way, he’s just unlocking their darker impulses.

It’s no coincidence that the demon’s lair is the bomb shelter basement. The house has now become a road map of her father’s mind, with his strongest emotions (and the literal place where he keeps his abused women secreted away) hidden in a sublevel that isn’t visible from the surface. This is the very same basement where he locked up Elise while punishing her for insisting that her visions were real. He wanted her to keep her psychic gifts locked away, probably so she wouldn’t discover his own submerged secrets.

Elise encounters a variety of keys during her journey that allow her to penetrate deeper and deeper into The Further, the house, her past, and the hideous truth about the men in her life. These keys unlock doors, suitcases, chains, and cages, but the most important unlocks the truth… and turns the attention of the evil upon her and her two nieces.

The probing of these women ignites the fury of Keyface and he takes her niece Melissa into the basement (another buried sublevel that must be unlocked), inserting a key into her neck and rendering her mute, then stealing her soul with a second key plunged into her heart. He is only vanquished when Elise and her other niece Imogen team together and use a family heirloom – a whistle – to summon Elise’s mother’s spirit.

On the surface, this seems like an inspiring story of three generations of women helping each other to face a great evil. This is certainly true, but now we have the key to understanding exactly what’s happening here. When a young woman discovers the abuse being perpetrated in her house, the figure of pure, wicked male desire literally steals her voice, silencing her. In order to restore that voice, another woman who knows the truth must very literally become a whistleblower.

…Did I just blow your mind?

At its heart, Insidious: The Last Key presents a world where women must rely on other women to provide them a voice and their very survival in a world dominated by powerful men and their ugly, dirty secrets. Secrets that they will do anything to keep locked away. There may be slightly more ghosts in Insidious than in real life, but that’s a frighteningly close parallel with the ugliness currently being revealed in Hollywood – as well as the world at large. It probably won’t tear up the Golden Globes next year, but this film is just the next important stepping-stone after Get Out in Blumhouse’s use of the genre to dig deep into the real life horrors plaguing our society.


Brennan Klein is a writer and podcaster who talks horror movies every chance he gets. And when you’re talking to him about something else, he’s probably thinking about horror movies. On his blog, Popcorn Culture, he is running through reviews of every slasher film of the 1980’s, and on his podcast, Scream 101, he and a non-horror nerd co-host tackle horror reviews with a new sub-genre every month!


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The Evil Dead Trilogy Cuts a 72-Minute Super Cut in Black and White

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Evil Dead Ash

While we wait on pins and needles for the third season of STARZ’s “Ash vs Evil Dead” to hit airwaves in February, we can take a moment to appreciate the original trilogy that led us to this incredible show. Starting in 1981, Sam Raimi’s Evil Dead, which Stephen King hailed as, “The most ferociously original horror film of the year,” began the journey of Bruce Campbell’s Ash Williams, an everyday kinda guy who gets caught up in a battle with demonic entities known as Deadites. Packed with humor, gore, and scares, the Evil Dead series has since become a cult classic and is a gem in the horror community.

Jorge Torres-Torres decided to pay his respects to the Evil Dead trilogy by creating Evil Dead Revision, where he took the first films and revised them, “…into a 72 minute, black & white ballet of gore.

If you need to catch up on the foundations of the Evil Dead universe before the return of “Ash vs Evil Dead”, this seems like a great place to start! Oh, and then make sure to binge the show on Netflix.

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