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Ryan, Bryan (The Guest)



Bryan RyanYou may recall a few months ago we told you about Final Girl Films‘ competition for indie horror filmmakers looking to make their next short film project. The contest was based on scripts only, and the first runner-up was Bryan Ryan for “The Guest”. Dread Central recently had a chance to chat with Bryan about how he first got involved in filmmaking, what’s up with “The Guest”, and his future plans.

Dread Central: What made you decide to get into filmmaking?

Bryan Ryan: I can trace the whole thing back to two films: Disney’s Pinocchio and Jaws. The first for the way it petrified me as a child. I know that I will never forget the effect Pinocchio had on me. Now, the same goes for Jaws, but it goes a step further because of the sheer ingenuity it took to tell THAT story in THAT way. And to this day those are two qualities that I look for in a movie — how it makes me feel and the “tricks” used by the filmmakers.

I’d spent well over 20 years of my life pursuing a career in the “business”, but as an actor, whether it be onstage or in front of the camera. I studied in New York for years and even directed several plays for various theaters in New York, Texas, and Los Angeles. But something about that never gelled for me. I wasn’t happy doing it, though I would try to convince myself daily. It’s no secret; it can be a nasty business. And I, just like every other person working on a career in film, would sit around with friends and say, “That’s a good idea for a movie,” and never move on it.

But one Tuesday afternoon about two years ago, I was standing behind a bar in an empty restaurant staring out at Melrose … and I remembered something that Adam Green said in the commentary on the Hatchet DVD: “If I can do it, you can do it.” I finished my shift, went home, and started writing. I’ve never been happier, and I haven’t looked back since.

DC: Let’s talk a little bit about the story of “The Guest”. Where did the story idea come from?

BR: I spent a lot of time in my grandparents’ house growing up, and without giving too much away, I can say that being alone is a little scary. Coming to the realization or truly believing you’re NOT can be terrifying. “The Guest” is definitely influenced by films like Polanski’s Repulsion and the original When a Stranger Calls, but with a twist. Anyone familiar with the old Tales from the Darkside episode called “Inside the Closet” will get an idea as to where I’m going with it.

Bryan Ryan Talks The Guest, Horror Boot Camp, and More

DC: I know a few months back you attended a horror film boot camp. Can you talk a little bit about that experience, what you took away from the boot camp, and how it helped prepare you to make “The Guest”?

BR: Honestly, it was the best thing I could have done for myself and my career. I think it’s imperative for anyone planning a career in this field to get first-hand accounts from people who have struggled, know the business, and understand what it feels like to just want to tell a story. The advice I got from professionals like Darren Bousman and Spooky Dan Walker was absolutely priceless.

I left Albuquerque fully confident that NOTHING was going to stop me from making my feature, and I began writing “The Guest” on the drive home. The best advice I can give to anyone interested in attending is go, listen, and (most importantly) ask questions. That is why those guys are there. It is a completely encouraging and supportive environment. Use it to your advantage. You will not regret it.

DC: I know you did a lot of work on other sets before you filmed “The Guest”. Do you think those experiences helped better prepare you for directing your first project?

BR: Absolutely! Whether it be as an actor, an extra, running coffee, or holding a boom mic, I have come to value every minute I have spent on-set. I think it’s important for a director to be a leader and be familiar with as many aspects of the process as possible.

DC: Can you talk a little bit about what your shoot was like, how you got the project off the ground, and how you brought your team together?

BR: The shoot went so much smoother than I could have ever hoped for. I think it was because I made it a point to surround myself with people I trust. Literally, every person on-set was someone I had worked with before on other projects. I sent out the script and called in favors. Everyone is very good at what they do, and it was important to me to take care of them. I borrowed money, held a fundraiser, and sold off a ton of crap so I could pay those guys.

DC: What did it feel like the first time you walked on the set being a first-time director?

BR: It was surreal for me, and we were so busy that the only real moment that I got to step back and say, “This is really happening! Will Barratt is shooting my movie!” was on the very first shot on the first day. I realized I had this stupid grin pasted across my face. But everyone, no matter how long they had worked in film, put their trust in me, and that was an amazing feeling.

DC: Obviously, you have an appreciation for the horror genre. What is it about this genre that drives you as a storyteller?

BR: The bottom line is anything can happen, and nothing is off limits. Horror is a constant surprise. I believe it’s the only genre that is not limited by cultural boundaries. Not everyone on the planet gets the appeal of Bull Durham, say, but everyone understands why you wouldn’t want to run into Freddy Krueger in a dark alley. It’s inspiring as a filmmaker to know that everyone is afraid of something.

DC: What are your plans for “The Guest” now that the film is almost finished?

BR: “The Guest” was originally intended to only go out to potential investors for a feature I’m working on. But since we started working on it, word has gotten out, interest has grown through Facebook and word of mouth, and people want to see it. So, in addition to those investors, we plan on entering “The Guest” into several festivals and are looking to put it online. I will also be at FrightFest in London at the end of August with a few copies for any interested parties.

DC: I know you have another feature film that you are looking to get made. Can you talk a little bit about that script and what the status of the project is? Have you already begun wrangling the troops?

BR: The script, which is a thriller set in a hurricane evacuation, has generated quite a bit of buzz. I have already had the opportunity to sit down and speak with a few “horror legends” about taking part, and that in itself has been a thrill. To have someone who’s work you have literally admired since you were a kid say they love the script and cannot wait to get started … I can’t explain the feeling. Right now we are in the funding stage of the film and are hoping “The Guest” seals the deal for us. My producer, Mel House, and I have already started talking about our ideal crew for the feature, and we agree that it would a dream to have “The Guest”‘s crew back again.

DC: I know that the boot camp you attended a few months back has led to you receiving an opportunity to give back to aspiring filmmakers by talking to students at the next session (September 10-12 in Burbank). How does it feel to be given a chance to share your experiences with other people who are in the same place you were just a few months ago?

BR: Wow! What an honor. It’s a humbling feeling. Seriously. If I can give a fraction of the advice I got in Albuquerque, I’m happy. But at the same time I still feel like I’m in that place. I’m just excited to get in there and take part again. The line-up is a little different this time so I’m sure I’m going to have a hundred new questions. I am nowhere near where I would like to be, but believe me… I’m busting my ass to get there.

Here are some more details on “The Guest”:

It stars Alyshia Ochse (pictured below with Bryan), Robert Seay, Andre Bolourchi, Brandi Price, Jessica Whitaker, and Suzanne Quast. The producers include Mel House, Bryan Ryan, Robert Victor Galluzzo, Courtney Daniels, Katie Floyd, and Heather Wixson; and it’s being edited by Brian Smith.

Bryan Ryan Talks The Guest, Horror Boot Camp, and More

A lonely woman and a mysterious intruder get more than they bargained for when a quiet evening proves to be deadlier than either of them could have imagined.

For more on Bryan Ryan and “The Guest”, be sure to befriend him and “like” the film on Facebook.

Uncle Creepy

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Night of the Living Dead 4K and The Silence of the Lambs Come to the Criterion Collection



It’s been a long time coming for these two classics, especially Night of the Living Dead after the ridiculously bad transfer put out by Mill Creek Entertainment, whose transfer was supposedly remastered from a new 2K scan. I swear I thought it was some kind of a joke when I first put it on to watch. In any event…

IndieWire is reporting that horror classics Night of the Living Dead and The Silence of the Lambs will be added to the 2018 Criterion Collection, a hallmark label for home video cinephiles.

According to the site, Criterion will release a new 4K digital restoration of The Silence of the Lambs, which has been approved by the movie’s cinematographer Tak Fujimoto. Included on the DVD and Blu-ray sets are 35 minutes of deleted scenes and audio commentary from 1994 featuring the late Jonathan Demme (director), stars Jodie Foster and Anthony Hopkins, screenwriter Ted Tally, and former FBI agent John Douglas.

Night of the Living Dead will also be released in 4K with never-before-seen 16mm dailies included as a bonus feature(!).

These will be added in February of 2018 so make sure you save up some cash after the holidays!

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Kevin Bacon Lets Us Know the Tremors Reboot Pilot Has Wrapped Filming



Two weeks ago we let you guys know that Tremors mainstay Michael Gross, aka Burt Gummer, was, unfortunately, not asked to be a part of the upcoming Syfy reboot series starring Kevin Bacon.

While that news upsets us a bit, being that the series has only filmed its pilot episode, we feel that there is still a big chance we could see Burt return to kick some more Graboids in the tentacle-thingies with elephant guns.

Fingers crossed.

Speaking of the “Tremors Syfy pilot, recently star Kevin Bacon took to Instagram to let us all know that filming has wrapped!

You can check out The Bacon’s post below and then make sure to hit us up and let us know how excited you are for Syfy’s “Tremors” series in the comments below!

In the Tremors follow-up, written by Andrew Miller, the killer Graboid worms that nearly destroyed Perfection, NV, 25 years ago are back; and the town’s only hope for survival is Valentine McKee (Bacon), who beat them once. But to do it again he’ll have to overcome age, alcohol, and a delusional hero complex.

“Tremors” the TV series is headed our way courtesy of Jason Blum’s Blumhouse TV and Universal Cable Prods.

We’ll let you know when we hear more about the series!

So long to NM. Had an amazing time shooting this pilot. Hope I can keep walking in these boots #Tremors

A post shared by Kevin Bacon (@kevinbacon) on

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Exclusive: Buzzard Hollow Beef Brings Cannibal Gore to the Holidays



Holidays at the end of the year seem to be focused on one major aspect: food. From Christmas hams to Thanksgiving turkeys to Hanukkah latkes to who knows what else, eating is a very important part for end-of-the-year festivities. Personally, I’m totally okay with it because it means great food and TONS of leftovers, ensuring that I don’t have to concern myself with cooking for at least a couple of days.

But what if the holiday season were a bit more sinister and what if the food was a bit more…unsavory? Allow us to introduce you to Buzzard Hollow Beef, a new vision of horror that blends cannibal hillbillies, intense and terrifying hallucinations, and small town mysteries. If this sounds up your alley, then don’t fret about waiting because the film comes to Amazon Prime, iTunes, and other transactional platforms on Tuesday, November 21!

We’ve got a trailer, poster, and several stills for you to check out, so peruse at your will and enjoy!

Directed by Joshua M. Johnson, who co-wrote the film with Tara C. Hall, Buzzard Hollow Beef stars Bruce Jennings, Nadia Kamil, Scott C. Brown, Emily Letts, Janet Chiarabaglio, Amanda Spinella, Will Frazier, Gabriel Caste, and Doug Perkins.

Still reeling from her divorce and struggling as the single mother of a 9 month old, Jordan Vollmer looks forward to a relaxing Thanksgiving weekend with her family and her best friend, Paige. As the group ventures into the small town of Buzzard Hollow, they are greeted with strange and unsavory characters, known around these parts as the Solomon family. Their suspicions surrounding the Solomons are aroused by the fact that they all seem unwilling to talk about the beef that they serve in their hamburgers and sell in their butcher shop. When the Vollmers experience horrifying hallucinations, they begin to suspect that the Solomons are somehow involved.

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