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Fantasia 2010: Two New Heartless One-Sheets



One film that’s been kicking around for a while now will soon be gracing the big screens at the Fantasia Film Festival 2010 and we’ve got two one-sheets for it that are absolutely Heartless!

Fantasia Description
“Philip Ridley, iconoclastic director of THE REFLECTING SKIN, is back with his first film in 14 years, a Satanic odyssey whose tones settle somewhere between the haunted universes of Clive Barker and David Lynch, filtered through the horrific truths that have spiked every work in his filmography. Young hobbyist photographer Jamie Morgan (Jim Sturgess) needs nobody to tell him that life is cruel. Born disfigured with a heart-shaped birthmark pulling across one side of his face, Jamie is regularly taunted and has lived a life of loneliness, long trying to make sense of the day-to-day brutalities he observes. Poverty is everywhere and the current news story in his East End London neighbourhood involves a pack of hooded youths randomly attacking strangers, setting fire to them on the streets. No question, Jamie’s world is every bit as ugly as he is. And soon, with a sudden burst of violence, it will get much uglier. So much uglier that Jamie will be willing to do anything—absolutely anything—to find peace within himself. Even doing some very grisly favours for the distinctly Mephistophelian “Pappa B,” who promises to remove his birthmark in exchange for… we’ll say no more!

Disturbing, poetic and grotesque—not to mention, darkly comic—HEARTLESS marks a strong return to cinema by a truly fascinating voice. Described by Rolling Stone Magazine as “a visionary,” Ridley is the kind of filmmaker whose output is rare, carefully planned and always worth celebrating. In fact, HEARTLESS is only the third feature film in Ridley’s 20-year career. His comeback work is a grim urban fairytale centered on the need to find reason in chaos, sense in the senseless. And it delivers serious jolts and surprises. Part of Ridley’s genius is his uncanny ability to make powerful, introspective films that thrill and entertain audiences in spite of their wounded severity, and HEARTLESS is no exception. A film this heavy shouldn’t be this fun, yet here it is. Sturgess carries the film flawlessly, evoking a tender vulnerability layered atop bedrock of fear and anger, the stark embodiment of a broken ego drifting through hurt. Ridley’s famously poignant use of locations has never been stronger—HEARTLESS utilizes its crime-riddled housing estate locales as a frightening backdrop for dark contemplations on weakness and evil, staging its tale against a world that is literally going to hell. Co-starring Noel Clarke, also on the Fantasia screen this year in CENTURION and DOGHOUSE, and featuring a wickedly deadpan turn by Eddie Marsan as “the weapons man,” this film is inspired black bliss.”

Look for the film to debut at the festival on July 14th at 7:00PM. Click on the Fantasia banner below for more info!

Fantasia 2010: Two New Heartless One-Sheets

Fantasia 2010: Two New Heartless One-Sheets

Fantasia 2010

Uncle Creepy

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Inside Remake Gets New Poster and U.S. Release Date



It’s about time.

It has been a whopping four months since we shared with you guys the red band trailer for the upcoming English language remake of Inside starring Rachel Nichols and Laura Harring.

Today we have an all-new poster for the film (via our buddies at Arrow in the Head), and the one-sheet also boasts the remake’s U.S. release date. Yes, Inside will be hitting Stateside on January 12, 2018.

You can click on the poster to the right to check it out in higher-res. After that make sure to hit us up and let us know if you’re planning to check out this remake in the comments below!

Miguel Ángel Vivas directed the Inside remake.

Produced by Adrian Guerra and Nuria Valls at Spain’s Nostromo Pictures, the remake was written by Manu Diez and [REC] creator/co-director Jaume Balaguero. “We took the original idea and made it an edge-of-your-seat thriller, more Hitchcock-ian than a splatter-fest,” said Guerra.

Again, Inside hits U.S. theaters and VOD January 12, 2018.

Pregnant and depressed, a young widow tries to rebuild her life following the fateful car accident where she lost her husband and partially lost her hearing. Now, about to go into labor, she’s living in a remote house in the suburbs when, one Christmas night, she receives an unexpected visit from another woman with a devastating objective: to rip the child she’s carrying from inside her. But a mother’s fury when it comes to protecting her child should never be underestimated.

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Deep Blue Sea 2 Rated R for Creature Violence/Gore and Language



Five months ago we shared the news that there was a secret sequel to the 1999 killer sharks vs. Tom Jane and LL Cool J movie Deep Blue Sea filming, and today we have the sequel’s rating.

And it’s about what you’d expect. Not that that’s a bad thing.

Yes, the upcoming shark attack sequel Deep Blue Sea 2 has been rated R by the MPAA for “creature violence and gore and for language.”

Not only that, but we have a few words on what we can expect from the sequel via a creative executive over at Warner Bros. named Matt Bierman.

“We are a true sequel,” Bierman said regarding the sequel. “We wanted to keep to the spirit of Deep Blue Sea and why people love it. The research that was used on the sharks in Deep Blue Sea 2 comes from the mythology and storyline of the first movie. We have given the lead shark a personality and hope the fans will embrace that as it really helps the storytelling and the narrative in a way that [the] first one didn’t. Deep Blue Sea 2 has a slightly slower build, but once the rubber band snaps, things go boom really quickly!”

The lead shark has a personality? How could that be a bad thing?

Let’s just hope there aren’t scenes of the rugged Tom Jane stand-in lovingly hugging/stroking the shark after it does something cool and telling the new guy how the shark (nicknamed Bruce) is just “misunderstood.”

…And then the shark saves everyone at the end. Called it.

The sequel is directed by Darin Scott from a screenplay by Erik Patterson, Hans Rodionoff, and Jessica Scott and stars Danielle Savre, Rob Mayes, and Michael Beach.

The movie is set to premiere on Syfy sometime next year. Once we know the exact date we’ll let us know so stay tuned!

“Deepest. Bluest. My head is like a shark’s fin…”

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Friends Don’t Let Friends Review – A Haunting Mixture of Psychological Turmoil and Brutal Supernatural Horror



Starring Brittany Anne Woodford, Jenny Curtis, Kanin Guntzelman, Brendan McGowan, Jake White

Directed by James S. Brown

We all like to think of ourselves as being surrounded by friends, but let’s face it, if we were to ever truly hit hard times, there are probably very few, if any, people we could truly rely on. So on some level, Friends Don’t Let Friends is a film we can all relate too, as it deals with this very issue.

Stephanie is an emotionally unstable young woman who strangles her boyfriend to death after he insults and breaks up with her. She calls her friends to help her dispose the body out in the Joshua Tree National Part area, and instead of reporting her to the police, they reluctantly comply. As their car breaks down, the four friends find themselves alone at night in the Californian wilderness with the rotting corpse in need of disposal. Given their dire circumstances, they begin to become more and more aggressive towards each other, and this was where the film was really at its best. I was on the edge of my seat, wondering how far the limits of their friendship could be stretched, and who would be the first to crack and turn on the others.

Anyway, their body disposal endeavor soon proves to be a mistake, as Stephanie’s ex rises from the grave as vengeful zombie demon thing with claws as long as knives. I’ll admit, I first I thought Friends Don’t Let Friends was going to be a movie purely about the limits of trust, so I was pretty surprised when the supernatural elements came into play. And when they did, the trust and friendship elements of the plot were somewhat downplayed in favor of a more traditional horror approach, and while it was still entertaining, I still would have preferred for the film not to have strayed from its initial path. At least the ending came as a shocker. I won’t go into spoilers, but let’s just say the even the most attentive viewers probably won’t see it coming.

As you can probably guess from a psychologically-driven film of this kind, the performances were top notch, with Brittany Anne Woodford being on particularly top form as the manipulative and unstable Stephanie, a character who revels in the revels in the power she felt when ending another human life.

With its mixture of psychological turmoil and brutal supernatural horror, Friends Don’t Let Friends is a film I would certainly recommend, but keep in mind that it may make you think twice when confiding in people who you think of as being your friends.

8 out of 10.

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