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New Artwork: In Their Sleep

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Some new art for the latest film from one of the producers who brought us the ultra-psycho home invasion film Inside, entitled In Their Sleep (or Dans ton sommeil), just came our way; and it’s looking tres bon!

Look for more on this film from first-time directors Caroline du Potet and Eric du Potet that stars Anne Parillaud, Arthur Dupont, Thierry Fremont and Jean-Hugues Anglade soon. In the interim check out the trailer, the art, and the plot crunch below.

Synopsis
One year after her teenage son’s death, Sarah’s life is in pieces. Then late one night her car accidentally hits Arthur, a young man the same age as her boy, who suddenly emerges out of the forest and onto the road. Wounded and frightened, he is running from a mysterious assailant, hunting him down after Arthur caught him red-handed in the act of burglary. Sarah sympathizes with him, taking him in, only to be tracked down by the burglar whose murderous rage towards Arthur forces her to take action. Unbeknownst to Sarah, things aren’t quite the way they seem … but by the time she finally realizes, it is too late to turn back …

New Sales Art: In Their Sleep


In Their Sleep – International Trailer
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Reviews

Tribeca 2018: The Dark Review – Atmospheric Zombie Horror Done Different

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Starring Nadia Alexander, Toby Nichols

Written by Justin P. Lange

Directed by Justin P. Lange


The zombie subgenre often goes through waves where it focuses on one aspect that changes the status quo before overdoing it completely. Romero’s slow shuffling zombies were the norm until we got fast moving zombies with Return of the Living Dead and 28 Days Later. There was even a period where we had smarter zombies, like in Fido and Warm Bodies. Now it seems like we’re about to enter an era where the undead are meant to elicit emotion, making us feel for those who have no feelings themselves. Such is the case with Justin P. Lange’s The Dark.

The film follows Mina (Alexander), a young woman who was murdered and stalks the forest that saw her demise. Anytime some unfortunate soul enters her area, they are quickly dispatched and become her feast. But when she stumbles across a young boy named Alex (Nichols) in the back of a car who shows signs of clear and horrifying abuse, she can’t bring herself to do away with him. Rather, she becomes his protector while trying to protect her own little world. As police and locals search for Alex to help bring him home, their own growing relationship seems to be changing Mina in ways she never thought possible.

Stylishly shot by cinematographer Klemens Hufnagl (The Eremites, Macondo), The Dark lives and breathes along with the forest in which it spends the majority of its time. The film feels very natural, as though no artificial lighting was used and we are brought into the world in which these characters live. Steel blue washes over the screen as dusk turns into night while light and dark contrast during the day. The only visuals that didn’t play well were Mina’s undead look and Alex’s scarred eyes, which were both distracting but possible to be overlooked.

Both Alexander and Nichols performed well enough, although the film spent too much time on the first two acts of their story, their combative phase and then the period where they build trust, leaving them scrambling at the end to show that they not only trust but are reliant upon each other. Alex finds trust in Mina after his horrific ordeal while Mina’s choice to protect and guide him sees her humanity slowly coming back.

Where the film goes awry is that it doesn’t know how to convey its message. We learn that Mina’s death was the result of a sexual assault by her mother’s boyfriend, who can barely look Mina in the eyes, turns violent. Alex’s captor is also a man of violence but that’s mixed with weakness and timidity. This is a theme throughout the movie, where the adults are wicked and/or self-serving and it’s only these teenagers, who certainly have endured a fair share of suffering, can be seen as worthy of empathy and understanding.

Also present and enough to stay in the back of my mind while watching The Dark were the strange and inconsistent ways it handled time. We learn that Mina’s death was several years, possibly more than a decade, prior to where we see her now. But when presented with an iPhone, she first doesn’t know that it has a history of previously made calls and then, without anyone explaining it, she knows exactly how to use it. Meanwhile, Alex’s scars on his eyes, which the movie hints were done by his kidnapper, suggest that he’s been held captive for months if not longer but the the opening of the movie suggests that it’s been a few weeks, at most. While not overly distracting, these are certainly issues that pop out.

These faults aside, The Dark is still effective and emotionally charged. With enough kills to satisfy the bloodthirsty, it will certainly have an audience who love films about the undead but are craving something with a different taste.

  • The Dark
3.0

Summary

Poignant and original, The Dark is not without its flaws. But it sure does know that horror doesn’t have to be solely of the flesh. It can just as easily be horror of the heart.

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The Cast of Westworld Explains Why the Show Is a Must-Watch for Horror Fans

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“Westworld” Season 2 kicks off on Sunday, April 22nd at 9 PM on HBO, and fans of the high-concept sci-fi thriller are chomping at the bit; it’s understandable since Season 1 wrapped way back in late 2016.

While I have a wide definition of the term “horror”, believing it’s more of a sensation than a genre, many Dread Central readers may be wondering if a show about robot cowboys is worth their time and attention.

While I’d recommend “Westworld” to anyone who loves stylized violence, gore, and suspense, we challenged members of the cast to sell the series to potentially reluctant horror fans. How would they respond, for example, to a friend who dismisses the show because they watch horror almost exclusively?

Here are the responses we got from Luke Hemsworth (who plays Head of Security Ashley Stubbs), Angela Sarafyan (who plays host Clementine Pennyfeather), and Clifton Collins, Jr. (who plays both Lawrence and El Lazo).

Dread Central: Complete this sentence: “If you love horror movies, you should watch ‘Westworld’ because…”

Luke Hemsworth: If you love horror movies, you should watch “Westworld” because it’s really gory. It’s pretty dark and it’s also pretty smart.

Angela Sarafyan: You should definitely watch “Westworld” because it makes you face death. It’s a show that questions your mortality. The show not only projects these feelings, but makes you think about the boundlessness of human destruction and how far we can take our reality. Meaning: Will technology eventually be our destruction?

Clifton Collins, Jr: If you love horror movies, you should watch “Westworld” because the same rushes you get from scares in a horror movie, those thrilling and suspenseful events happen in the show. Just from reading it I can tell Season 2 is really cranked-up compared to Season 1. You’re going to have those moments where your heart palpitates or skips a beat and a lot of “Oh my gosh!” moments. There are some serious white-knuckle moments this season. It’s the same thrill you get from watching a horror film!


Westworld isn’t your typical amusement park. Intended for rich vacationers, the futuristic park — which is looked after by robotic “hosts” — allows its visitors to live out their fantasies through artificial consciousness. No matter how illicit the fantasy may be, there are no consequences for the park’s guests, allowing for any wish to be indulged. “Westworld” — which is based on the 1973 Michael Crichton movie of the same name — features an all-star cast that includes Oscar winner Anthony Hopkins and Golden Globe winner Ed Harris.

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New Interactive Xenomorph Game Launches This Alien Day

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Alien Day is rapidly approaching on April 26th and today we have news that a new first-of-its-kind interactive survival game is on its way via 20th Century Fox.

The game invites players to experience the intensity and imminent threats of Alien individually, or up to three players in collaborative gameplay and is called Alien: Offworld Colony Simulator. It’s a turned-based survival game that simulates a Weyland-Yutani Space Colony in security lockdown.

Weyland-Yutani is inviting civilians to participate in an open Beta test of “The Offworld Colony Simulator” – an advanced system that simulates security breach scenarios in non-terrestrial colonies. Those that participate in the Open Beta will help teach the system’s AI to accurately simulate human behavior in the face of otherworldly dangers.

Utilizing the Amazon Alexa service, players need to collect items, solve puzzles and explore unmarked territories to successfully move through the colony, unlock sectors, and avoid capture in a Xenomorph-infested space colony.

If you can’t wait until Alien Day, get a head start with the Weyland-Yutani Career Placement Test – a multi-question aptitude test to determine if applicants have what it takes for a role at the interplanetary Weyland-Yutani organization. Complemented with a sweepstakes, the test launches for fans on April 23 at AlienUniverse.com.

The game launches exclusively on Amazon Alexa Devices & Alienuniverse.com one minute prior to Alien Day at 11:59 PM ET on April 25th.

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