Horror Short Helen Soars Past Crowdfunding Goal - Dread Central
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Horror Short Helen Soars Past Crowdfunding Goal

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Another crowdfunding success story! And it was for a horror film focusing on a female protagonist!  Although there have been quite a few of those lately, I still feel that there needs to be more, so this story truly is a win-win.

Get the details on the short, titled Helen, below:

Synopsis:
HELEN, a horror short film from the Dell Sisters, shattered fundraising records on the crowdfunding platform Seed&Spark last week. The film raised 100% of its goal in just 12 hours, cutting the previous record for fastest campaign financing in half. HELEN follows a woman through the longest night of her life after her anxiety comes to life as the Fury, a demon determined to destroy her. The film stars Aimee Garcia (“Dexter,” RoboCop, “Rush Hour”) and is currently in post-production.

The campaign is still active at seedandspark.com/studio/helen-1. Seed&Spark offers distribution and filmmaker incentives for projects with 500+ followers, so HELEN encourages everyone to FOLLOW the campaign!

The Dell Sisters, writer/director Emily Dell and producer Elizabeth Dell, are a filmmaking team in Los Angeles focused on female-driven genre films. Their previous works include B-GIRL, a narrative feature about a female breakdancer, released in the US by Screen Media Films, distributed worldwide, and airing on Showtime, Starz, and Encore Networks. Emily Dell is the author of the comic book series Romeo & Juliet and Guns, as well as the Executive Director of the Nashville Writers Conference. Elizabeth Dell is the Head of the China Task Force for the Producers Guild of America and produces hundreds of episodes of branded digital content. Elizabeth and Emily are featured in the National Women’s History Museum [“From Ideas to Independence: A Century of Entrepreneurial Women”] and are sponsored by/partnered with NIKE, BOWMORE WHISKY, and MICROSOFT.

Seed&Spark is a crowdfunding platform for independent filmmakers. The tools they provide for their users result in a 75% fundraising success rate, twice the average of other platforms. Their partnerships with Netflix, iTunes, Hulu, Amazon, and other premier distribution channels allow their filmmakers to distribute their work across the globe.

helen film (1)

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#Brainwaves Episode 78 Guest Announcement: Legendary Film Composer Harry Manfredini

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The Friday the 13th franchise without the music of Harry Manfredini would be like peanut butter without jelly. McDonalds without the Big Mac. Knetter without Creepy. His music defined a generation of horror fans, and few could have done it better, if at all. Now Manfredini brings his equally as unique voice to Brainwaves Horror and Paranormal Talk Radio.

Join us this coming Wednesday, February 21st, at 8:00PM PT/11:00PM ET for all the shenanigans fit to be had!

It’s radio without a safety net, kids. It’s Brainwaves: Horror and Paranormal Talk Radio.

SUPPORT BRAINWAVES ON PATREON!

Listen to Stitcher

Brainwaves: Horror and Paranormal Talk Radio is available to subscribe to on iTunes and Stitcher.

Spooky, funny, touching, honest, offensive, and at times completely random, Brainwaves airs live every Wednesday evening beginning at 8:00 PM Pacific Time (11:00 midnight Eastern Time) and runs about 3 hours per episode.

Knetter and Creepy will be taking your calls LIVE and unscreened via Skype, so let your freak flags fly! Feel free to add BrainWavesTalk to your Skype account so you can reach us, or call in from a landline or cellphone – 858 480 7789. The duo also take questions via Twitter; you can reach us at @BrainwavesRadio or @UncleCreepy, @JoeKnetter, or @MrDarkDC using the hashtag #BrainWaves. You can also check us out on our Brainwaves Discord channel!

Have a ghost story or a paranormal story but can’t call in? Feel free to email it to me directly at UncleCreepy@dreadcentral.com with “Brainwaves Story” in your subject line. You can now become a fan of the show via the official… BRAINWAVES FACEBOOK PAGE!

Brainwaves: Horror and Paranormal Talk Radio is hosted live (with shows to be archived as they progress) right here on Dread Central. You can tune in and listen via the FREE TuneIn Radio app or listen to TuneIn right through the website!

For more information and to listen live independent of TuneIn, visit the Deep Talk Radio Network website, “like” Deep Talk Radio on Facebook, and follow Deep Talk Radio on Twitter. And don’t forget to subscribe to Brainwaves on iTunes.

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Supernatural Irish Horror Beyond the Woods Hits Home Video and VOD This February

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Supernatural Irish horror Beyond the Woods makes its way to DVD and VOD from Left Films!

Shot on location in Ireland, Beyond the Woods echoes the creepy supernatural horror of recent Irish genre hits The Hallow and The Canal, with its eerie and grisly tale of an unknown evil.

Synopsis:
Seven friends meet up in the Irish countryside for a secluded weekend getaway but unfortunately for them a fiery sinkhole has opened up in the mountains nearby. It’s burning hot, spewing out sulphur and casting a hellish stench over the local area. Determined to make the most of the weekend, the group decide not to let the noxious atmosphere get to them…but it’s getting worse. Soon the troubling hallucinations begin as an ancient evil starts to take hold. What malevolent force has crawled from the sinkhole and will any of them survive the weekend?

Following a successful run on the festival circuit where it picked up the Best Feature Film Award at the World International Film Festival Montreal in 2017, Seán Breathnach’s spine-chilling low budget nightmare finally makes its way to UK and North American DVD and VOD courtesy of Left Films.

On digital/VOD February 5th, DVD February 19th.

UK DVD AMAZON
UK VOD ITUNES
US VOD ITUNES

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Interview: The Cured’s David Freyne and Sam Keeley Talk Zombies, Politics, and PTSD

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The Walking Dead, once the flagship of AMC and the envy of all networks, has been suffering a significant decline in both ratings and viewership over the past couple seasons. While many place blame on writers and producers, it could simply reflect changes in tastes and trends. The zombie subgenre of horror has become, objectively, saturated with few infusions of originality over the past few years.

In this climate, The Cured can be considered the cure for the 21st Century zombie movie, which has become stagnant and formulaic. It’s the debut feature from Irish filmmaker David Freyne and it stars Ellen Page, Sam Keeley, and Tom Vaughan-Lawlor. We’ve seen more outbreak movies than we can count, but The Cured takes place many years after an apocalypse that devastated Europe.

The hook is simple but brilliant: The infected are cured but returning to their pre-zombie lives proves a difficult transition. Though no longer compelled to kill and cannibalize, The Cured (as they are referred to) nonetheless remember every atrocity they committed.

Dread Central was lucky enough to sit down with Freyne and Keeley to discuss the film, their approaches, and the parallels to international politics. Check out the trailer for The Cured below, followed by our interviews.

The Cured arrives in theaters and on VOD February 23, courtesy of IFC films.

Synopsis:
A disease that turns people into zombies has been cured. The once-infected zombies are discriminated against by society and their own families, which causes social issues to arise. This leads to militant government interference.

Dread Central: One of the most compelling aspects of The Cured is the cure! I’m hard-pressed to think of another film that explores the idea of zombies becoming human again. It’s a great innovation. Where did the idea come from?

David Freyne: I love zombie films and the idea for The Cured came about in 2011, so I’ve been working on this for quite some time. I really liked I am Legend, but I recalled that at the end, the patient, the female zombie gets the cure from Will Smith, and then she dies. I was like, “Hang on, this just got interesting!”  That’s pretty much the moment when the idea came. But it also has to do with what was going on in Ireland at the time; we were going through a recession. The banks were closing and we were all losing our jobs and it was like we were being blamed for things that were beyond our control. That’s the analogy for The Cured because they were being blamed for things that were beyond their control. All of that melded together and became the inspiration for the film.

There have been a lot of zombie films that mention a cure but like you said, it’s something we haven’t seen before.

DC: Yeah, we’ve seen reformed zombies, like in Day of the Dead and Fido, but they’re still zombies. We’ve never seen these fully cured zombies. It really sets The Cured apart and makes it worth seeing. Now, I saw a lot of potential parallels with current world issues, like the refugee crisis, the prison system, and soldiers returning home from war. The way The Cured were treated reminded me of how Vietnam Veterans were harassed when they returned home from war. Were any of these parallels intentional, or was it just the recession?

DF: PTSD and the treatment of soldiers was definitely something I had in mind. Like you mentioned, Vietnam wasn’t like World War II, where the soldiers returned as heroes. And the refugee crisis as well; we have a camp here in Ireland, where these people were institutionalized—almost like they were being quarantined from the rest of society. This isn’t just how we treat these people in Europe, it’s the way the world treats asylum seekers where they’re regarded as rapist and criminals and all the terrible things Trump is saying—like other countries are giving us their worst, which has been proven to be totally false. That crisis was definitely an inspiration.

But yeah, studying the effects of PTSD was a big part of my research for The Cured. I wanted to explore what would happen if these people remembered the things they had done when they were infected. With the memories of all that killing, how do you normalize again? Is it even possible?

But yeah, I don’t even know if you can separate the recession and the refugee crisis. Especially the way asylum seekers are portrayed as these boogeymen. We saw the rise of all of these populist politicians that stoked this hate to serve their own ends. That’s why there’s a character in the film who uses this fear to get The Cured all riled up, but it’s just to serve his own ambitions. I think that’s what we have now. The rise in racism and hate crime is all connected to the recession.

DC: The ending of The Cured was ambiguous, or rather, open-ended. Were you setting up a sequel or is your intention to let this story stand?

DF: I definitely want to do something non-zombie, but it will depend on the response to the film. I wanted the story to end with redemption, so its complete in that way. But there’s still a story left to tell so we’ll see. Maybe it will proceed as a graphic novel.

DC: Anything else you want to tell our readers?

DF: To me, the scariest things are real, not unreal, so I hope The Cured sparks discussions, whether it be about politics or something else. Nothing is black and white; none of the characters are all right or all wrong.


Dread Central: How’d you get into acting?

Sam Keeley: I wanted to be a singer/songwriter. I was working on an album in order to become a rock star. But I had this high school guidance counselor who was like, “Look, I’m not going to let you do this. You need to at least have a backup plan.” After banging her head against a wall for a week or so, she said, “What about drama? With a drama degree, you can teach, do film studies, or become a critic.” I loved the idea!

DC: You’ve been in a handful of horror movies. What are your thoughts on the genre?

SK: I love horror movies and thrillers. These films are filled with such interesting characters. There’s the opportunity to be a bit bigger, more eccentric if you will. There are so many great parts in these films.

DC: Your role [in The Cured] couldn’t have been easy; Senan is nothing short of tortured. How did you prepare to play the part?

SK: When David first offered me the part, I had to think very seriously about whether I could pull it off. I wanted to make it as realistic as possible, despite the fantastic elements. I did a lot of research about people who had been institutionalized and reintegrated back into society; murderers and sex offenders who have to go through a system to be reintegrated and accepted by society. I looked at the human side of that.

I did a lot of reading about stressful situations. It was heavy work but it was worth it.

DC: One of the most compelling parts of the film was your relationship with Abbie. Can you talk about what it was like to work with Ellen Page and did she influence your performance?

SK: Great question. Ellen is a wonderful human being; so unbelievably talented. I had only known her from her work before we met on set. It was a tricky character for her because it was a mother role, but there was something else to it. She never missed a beat, and it really helped me to see my character through her eyes.

DC: What were the most difficult parts of the role for you?

SK: I lost a lot of weight for the shoot; I went vegetarian. But mostly, it was staying in a perplexed state—keeping one foot in that world. It was tough to do because it weighs you down. It was nice to wrap and let go of the character go, to let Senan dissolve into the air. It was hard to maintain that guilt; it was mentally taxing.

DC: What’s next for you?

SK: I just finished a project called Peace, directed by Robert David Port based on a novel by Richard Bausch. It’s the story of four soldiers during World War II. It’s a psychological story about these characters who become lost and have to rely on each other to survive the situation. We filmed in British Columbia for four weeks and it was amazing; all outdoors in freezing weather! I’m really excited about that.

DC: Is there anything else you want to tell our readers about The Cured?

SK: We worked really hard to bring something new to the genre and I hope people will see it with an open mind. The market is flooded with zombie movies, some of them good, some of them not so good. I think people have become somewhat jaded, but I hope they’ll see it with an open mind. Don’t expect your typical zombie movie.


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