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New Twilight Novella Coming: The Short Second Life of Bree Tanner

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No, it’s not a new chapter in The Twilight Saga, but rather an expansion of an existing one. Little, Brown Books for Young Readers, a division of Hachette Book Group, has announced today that it will release the first new title from Stephenie Meyer in nearly two years: “The Short Second Life of Bree Tanner”, a novella told from the point of view of Bree, a character originally featured in Eclipse (portrayed by Jodelle Ferland in the upcoming film of the same name).

Here are the details, excerpted from author Stephenie Meyer’s website:

I never intended to publish this story as a stand-alone book. I began this story a long time ago — before Twilight [the film] was even released. Back then I was just editing Eclipse, and in the thick of my vampire world. I was thinking a lot about the newborns, imagining their side of the story, and one thing led to another. I started writing from Bree’s perspective about those final days, and what it was like to be a newborn.

This story was something that I worked on off and on for a while, just for fun, in between the times I was writing or editing other Twilight novels. Later, when the concept for The Twilight Saga: The Official Guide came up, I thought that might be a good place for Bree. Her story is a nice complement to Eclipse; it explains a lot of the things that Bella never knew. So I dusted it off and finished it up for placement in the Guide.

At the same time, it came in handy for the Eclipse film. Melissa (Rosenberg, the screenwriter) had a ton of questions about what exactly was going on in Seattle, how Victoria managed things, what Riley was like, etc. I let her read what I had then, and later gave the whole thing to the director, David Slade. David asked if Xavier, Bryce, and Jodelle (Riley, Victoria, and Bree) could read it as well, so all the parties involved would end up having a really strong foundation for their characters before the cameras started rolling. I was pleased that this side of the story would make it into the film and was looking forward to including it in the Guide.

Then I got the news: my “short story” was nearly 200 pages long when typeset. It was too long to fit into the Guide—without ending up with a tome as heavy as the Oxford English Dictionary. My publisher approached me with the idea of releasing the Bree story on its own. One of the major benefits of this plan was that it would be out before the movie, so people would get to know Bree before they saw her in the film. That made sense to me, and we decided to go ahead with it.

New Twilight Novella Coming: The Short Second Life of Bree Tanner

There was one thing I asked for: since this story had always been an extra for me, and was meant to be released with the Guide, I wanted to be able to offer it to my fans for free. You all have bought a ton of my books, and I wanted to give you this story as a gift. My publisher was awesome and embraced this idea. We still wanted to also produce a physical book with a cool cover that you can add to your set if you like, but starting at noon on June 7th until July 5th, it will also be available online at www.breetanner.com.

One other aspect of this release is the plan to give a more important gift to people who really need it. One dollar of each book purchased in the US from the first printing will be donated to the American Red Cross for their relief efforts in Haiti and Chile and other parts of the world where people are in great need. We’re going to have an option online as well, so you can choose to make a donation if you want when you read the story online.

For more visit stepheniemeyer.com

Debi Moore

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Titan’s Gothic Horror Series Alisik Gets Animated with a New Trailer

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Back in October we told you about Alisik, a Gothic tale from Titan Comics’ Statix Press imprint that explores the afterlife; and now we’re back with a new trailer for the series to share along with another cover and a few interior pages.

From the Press Release:
Written by Hubertus Rufledt with haunting art by Helge Vogt, Alisik is a cross between Emily the Strange and Neil Gaiman’s The Graveyard Book – a beautiful dark and Gothic tale of mortality and what happens after death.

“Alisik started as a short animation I did during my time at Disney – something different, a bit darker, but not horror. Hubertus liked it so much that we wanted to make a comic series out of it,” said Alisik co-creator and artist Helge Vogt. “Alisik became a part of my life. It’s the best I’ve done so far, and I’m thrilled that it’s coming out in English!

Featuring an all-new cover by superstar artist Junko Mizuno (Ravina the Witch?), Alisik #1 will hit stores and digital devices on February 28, 2018.

Synopsis:
When Alisik wakes up alone in a cemetery, she thinks she’s in the middle of a nightmare. Terrified, she flees into the night but realizes she is invisible to everyone she meets. She really is dead, with no memory of how it happened… and only the ghostly residents of the graveyard can help her unravel the mystery of her afterlife.

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Satan’s Cheerleaders Blu-ray Review – Sacrifice This Snoozer At The Altar!

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Starring Jack Kruschen, John Ireland, Yvonne De Carlo, Jacqueline Cole

Directed by Greydon Clark

Distributed by VCI


The ‘70s. Satanism. Sultry cheerleaders. Sex appeal. With these tools nearly any low-budget filmmaker should be able to turn out something that is, at the very least, entertaining. The last thing a viewer expects when tuning in to a film called Satan’s Cheerleaders (1977) is to be bored to tears. But that is exactly the reaction I had while watching director Greydon Clark’s wannabe cult comedy. Even on a visual level this film can’t be saved, and it was shot by Dean Cundey! No, unfortunately there isn’t a cinematic element in the world that can overcome a roster of bad actors and a storyline so poorly constructed it plays like it was written on the day. The only saving grace, minor as it may be, is the casting of John Ireland as Sheriff B.L. Bubb (cute), a hard-nosed shitkicker who adds all the gravitas he can muster. But a watchable feature cannot be built upon the back of a single co-star, as every grueling minute of Satan’s Cheerleaders proves.

The cheerleaders and jocks of Benedict High School rule the campus, doing what they want, when they want, with little else on their minds except for The Big Game. Their belittling attitudes rub school janitor (and stuttering dimwit) Billy (Jack Kruschen) the wrong way. What they don’t know is Billy is (somehow) the head of a local Satanic cult, and he plans to place a curse on the clothes (really) of the cheerleaders so they… suck at cheerleading? Maybe they’ll somehow cause the jocks to lose the big game? When Billy isn’t busy plotting his cursed plans, he spies on the girls in the locker room via a hidden grate in the wall. I guess he doesn’t think being a sexual “prevert” is fair trade enough; might as well damn them all, too. Billy has his own plans to kidnap the girls, for his Lord and Master Satan, and he succeeds with ease when the girls’ van breaks down on the highway; he simply offers them a ride and they all pile in. But when Ms. Johnson (Jacqueline Cole) gets hip to his plan the two tussle in the front seat and Billy winds up having a heart attack.

The squad runs off in search of help, coming across the office of Sheriff B.L. Bubb (John Ireland), who, as the name implies, may be a legit Satanist. Bubb invites the girls inside, where they meet his wife, Emmy (Yvonne De Carlo), High Priestess of their quaint little satanic chapter. While the girls get acquainted with Emmy, Bubb runs off to find Billy, who isn’t actually dead. Wait, scratch that, Bubb just killed him for… some reason. The girls figure out things aren’t so rosy here at the Bubb estate, so they hatch an escape plan and most make it to the forest. The few that are left behind just kinda hang out for the rest of the film. Very little of substance happens, and the pacing moves from “glacial” to “permafrost”, before a semi-psychedelic ending arrives way too late.

“Haphazard” is one of many damning terms I can think of when trying to make sense of this film. The poster says the film is “Funnier Than The Omen… Scarier Than Silent Movie” which, objectively, is a true statement, though this film couldn’t hope to be in the same league as any of the sequels to The Omen (1976) let alone the original. It is a terminal bore. Every attempt at humor is aimed at the lowest common denominator – and even those jokes miss by a wide berth. True horror doesn’t even exist in this universe. The best I can say is some of the sequences where Satan is supposedly present utilize a trippy color-filled psychedelic shooting style, but it isn’t anything novel enough to warrant a recommendation. Hell, it only happens, like, twice anyway. The rest of the film is spent listening to these simple-minded sideline sirens chirp away, dulling the enthusiasm of viewers with every word.

A twist ending that isn’t much of a twist at all is the final groan for this lukewarm love letter to Lucifer. None of the actors seem like they know what the hell to be doing, and who can blame them with material like this? I had hoped for some sort of fun romp with pompoms and pentagram, like Jack Hill’s Swinging Cheerleaders (1974) for the Satanic set, but Clark provides little more than workmanlike direction; even Cundey’s cinematography is nothing to want on a resume.

Viewers have the option of watching either a “Restored” or “Original Transfer” version of the 1.78:1 1080p picture. Honestly, I didn’t find a ton of difference between the two, though the edge likely goes to the restored version since the title implies work has been done to make it look better. Colors are accurate but a little bland, and definition just never rises above slightly average. Film grain starts off heavy but manages to smooth out later on. Very little about the picture is emblematic of HD but given the roots this is probably the best it could ever hope to look.

Audio comes in the form of an English LPCM 2.0 track. The soundtrack sounds like it was lifted from a porno, while other tracks are clearly library music. Dialogue never has any obvious issues and sounds clear throughout. Subtitles are available in English SDH.

There are two audio commentary tracks; one, with director Greydon Clark; two, with David De Cocteau and David Del Valle.

A photo gallery, with images in HD, is also included.

Special Features:

  • Audio commentary with director Greydon Clark
  • Audio commentary with filmmakers David De Cocteau & David Del Valle
  • Photo gallery
  • Satan's Cheerleaders
  • Special Features
1.3

Summary

Although the title is enough to reel in curious viewers, the reality is “Satan’s Cheerleaders” are a defunct bunch with little spirit and no excitement. The ’70s produced plenty of classic satanic cinema and this definitely ain’t it.

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Friday the 13th Part 3: In Memoriam Documentary Now Available For Free!

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It’s been a while since we’ve brought you guys any news of the Friday the 13th Part III documentary Friday the 13th Part 3: In Memoriam.

But no worries as today’s news couldn’t get much better. Yes, the entire 36-minute documentary is now available in its entirety online for free!

I know that as soon as I sign off for the day I’m going to be watching this doc at least twice. It seems like I’ve been looking forward to this forever now and I’m a big fan of Part 3 so I can think of no better way to spend my Monday night.

You can watch the full doc below and then make sure to let us know what you think!

Synopsis:

This is a documentary featuring the last known footage of the set of Friday the 13th part 3 prior to its destruction. The plot involves what happened that fateful night in 2006 with additional stories from the cast members of Friday the 13th part 3 telling their memories of the production that took place in 1982.

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