New Art and Synopsis: Comedown - Dread Central
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New Art and Synopsis: Comedown

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A new piece of promo art and a new “shorter” synopsis have slipped online for Menhaj Huda’s psycho-laden flick, Comedown, which tells of the dangers of taking to the airwaves illegally.

The film which begins its shoot in London on March 2010 stars Martin Compston, Adam Deacon, Red Madrell and Duane Henry.

New Art and Synopsis: ComedownNew Short Synopsis
The film is set against a contemporary London backdrop of abandonment and decay. Six tearaway teenagers setting up a relay aerial for a local pirate radio station at the top of a condemned tower block, are targeted by a resident psychopath intent on exterminating the ‘vermin’ he perceives are besieging his home.

Original Synopsis
Mercy Point, a high-rise tower block conceived and built in the sixties, condemned in the nineties. Abandoned by all, it is now home to a brooding malevolence, and what resides within its empty floors is truly terrifying.

LLOYD, a young man in his early 20’s, is facing the reality of fatherhood, determined to rise above the pervading knife culture and bleak environment he calls home. He’s back after time away in jail, reunited with the crew he left behind: GARY – pyromaniac joker of the pack, JASON – Lloyd’s Alpha male rival, COL – Jason’s slow-witted lackey with a crush on; KELLY – boisterous and text obsessed, joined at the hip to; YASMINE – Lloyd’s pregnant girlfriend.

Jason receives a call from pirate radio station Skank, broadcasts have been severely disrupted by the loss of one of its relay aerial transmitters. There’s a cash incentive and free drugs in return for erecting a new transmitter and the perfect high-rise location looms overhead – Mercy Point.

Loaded with aerial transmitter, narcotics and alcohol, and using their mobile phones as torches, the crew venture into Mercy Point. Once inside and up on the 20th floor, they begin to fight, fall out and fracture. Setting up the aerial, tuned to ‘Skank Radio’, Jason, Gary , Col and Kelly try to salvage the evening. Booze is downed, grass is smoked and pills are popped. Lloyd declines the drugs, but that doesn’t stop Jason spiking his drink.

Events take a terrifying twist when Yasmine is snatched from the roof. Realising their friend has disappeared, yet at odds with each other, the frightened youths search the dark, eerily hollow interior of the tower. Doors bolted, stairways obstructed, lift now inoperable, they find themselves trapped in a hazardous, concrete labyrinth and when the pills kick in – the real terror begins. As the crew begin tripping out in the darkness, someone is exacting their own psychotic revenge, intent on ensuring the kids never come down alive.

A deranged tenant, living a solitary existence, is on a mission to eradicate what he sees as vermin invading his home. And just like rats the kids can run, they can hide, but no one knows this tower like this tenant.

In order to survive the terror, this tough gang of youngsters must put their differences aside if they are to overcome their relentless adversary, or find themselves condemned to a high-rise hell.

Comedown is a terrifying teen horror, real kids’ relationships in the midst of truly tripped-out horror and tension. The raw teenage angst of KiDULTHOOD grows up to meet the all-too-real terror of Wolf Creek.”

Uncle Creepy

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A Demon Within Emerges With Eye Candy

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We just scored you cats a fresh batch of stills from A Demon Within, which you’ll be able to dig on once it hits select theaters and VOD on January 12, 2018, via Blue Fox Entertainment. As we mentioned in our last article debuting the trailer, Blue Fox holds the worldwide rights and is currently selling the film internationally.

Charlene Amoia, Julia Larsen, Clint Hummel, Jeremy Miller, Patricia Ashley, Michael Ehlers, and Cole Crawford star in the film from directors Ayush Banker and Justin LaReau.

Synopsis:
In 1914 Crestwick, a demonic spirit named Nefas surfaced to prey on a family, which ended with the death of an innocent young girl. The mysterious events haunted the Midwestern community for years. Now, decades later, a skeptical doctor must stop history from repeating itself by confronting his personal demons and fighting to save the life of a teenage girl who has become possessed in his family’s old house.

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Annihilation – New Trailer and First Stills!

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We’ve been talking about Alex Garland’s new film, Annihilation, for a couple of years now, and finally Paramount has released some eye candy for you to digest in the form of a brand new trailer and several stills! Dig in!

Based upon Jeff VanderMeer’s Southern Reach Trilogy, Annihilation stars Tessa Thompson, Natalie Portman, Jennifer Jason Leigh, Oscar Isaac, and Gina Rodriguez.

Look for it in theaters on February 23, 2018.

Synopsis:
A biologist signs up for a dangerous, secret expedition where the laws of nature don’t apply.

Left to right: Natalie Portman and Tessa Thompson in Annihilation from Paramount Pictures and Skydance.

Gina Rodriguez, Tessa Thompson, Tuva Novotny, Natalie Portman and Jennifer Jason Leigh in Annihilation from Paramount Pictures and Skydance.

Natalie Portman plays Lena in Annihilation from Paramount Pictures and Skydance.

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Desolation Review: Campers + Lunatic = Simplicity, But Not Always a Better Product

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DesolationStarring Jaimi Page, Alyshia Ochse, Toby Nichols

Directed by Sam Patton


I’m usually all in when it comes to a psycho in the woods flick, but there was just something about Sam Patton’s Desolation that seemed a bit distant for me…distance…desolation – I’m sure there’s a connection in there somewhere. Either that or I’m suffering from a minor case of sleep-deprivation. Either way, make sure you’ve got your backpack stuffed, cause we’re hitting the timber-lands for this one.

The film focuses on mother and son tandem Abby and Sam, and the tragic notion that Abby’s love and father to her son, has passed away. The absence has been a crippling one, and Abby’s idea of closure is to take her adolescent offspring to the woods where her husband used to love to run and scatter his ashes as a memorial tribute. Abby invites her best friend Jenn along as emotional support, and together all three are planning on making this trip a fitting and dedicatory experience…until the mystery man shows up. Looking like a member of the Ted Kaczynski clan (The Unabomber himself), this creepy fellow seems content to simply watch the threesome, and when he ultimately decides to close the distance, it’ll be a jaunt in the forest that this close-knit group will never forget.

So there you have it – doesn’t beg a long, descriptive, bled-out dissertation – Patton tosses all of his cards on the table in plain view for the audience to scan at their leisure. While the tension is palpable at times, it’s the equivalent of watching someone stumble towards the edge of a cliff, and NEVER tumble over…for a long time – you literally watch them do the drunken two-step near the lip for what seems like an eternity. What I’m getting at is that the movie has the bells and whistles to give white-knucklers something to get amped about, yet it never all seems to come into complete focus, or allow itself to spread out in such a way that you can feel satisfied after the credits roll. If I may harp on the performance-aspect for a few, it basically broke down this way for me: both Abby and Jenn’s characters were well-displayed, making you feel as if you really were watching long-time besties at play. Sam’s character was a bit tough to swallow, as he was the sadder-than-sad kid due to his father’s absence, but JEEZ this kid was a friggin malcontented little jerk – all I can say is “role well-played, young man.”

As we get to our leading transient, kook, outsider – whatever you want to call him: he simply shaved down into a hum-drum personality – no sizzle here, folks. Truly a disappointment for someone who was hoping for an enigmatic nutbag to terrorize our not-so-merry band of backpackers – oh well, Santa isn’t always listening, I guess. Simplicity has its place and time when displaying the picture-perfect lunatic, and before everyone gets a wild hair across their ass because of what I’m saying, all this is was the wish to have THIS PARTICULAR psycho be a bit more colorful – I can still appreciate face-biters like Hannibal Lecter and those of the restrained lunacy set. Overall, Desolation is one of those films that had all the pieces meticulously set in place, like a house of cards…until that drunk friend stumbled into the table, sending everything crumbling down. A one-timer if you can’t find anything else readily available to watch.

  • Film
2.5

Summary

Looking for a little direction way out in the woods? Look elsewhere, because this guide doesn’t have a whole lot to offer.

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