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Strangest. Clip. Ever. Big Man Japan

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We’ve seen a lot of stuff over the years. Some bad. Some good. And the rest? They just defy rational explanation. This, my friends, is one of the really strange times when we’re at a loss for words. One look at this clip for Big Man Japan (review here), and I think you will be too.

Seriously, dude, what the fuck? Big Man Japan is a fictitious documentary that tells the story of Daisato, a slacker who after being shocked with electricity ends up protecting the world from some of the most absurd giant monsters you have ever seen.

The film is the final release in Magnet’s “Six Shooter Film Series”, which spotlights genre cinema from around the globe, and will hit theatres in Los Angeles and New York on Friday, May 15. Click here for more information.

Dig the clip, courtesy of MTV’s Splash Page, after the plot crunch.

A middle-aged slacker living in a rundown, graffiti-ridden slum, Daisato’s job involves being shocked by bolts of electricity that transform him into a stocky, stick-wielding giant several stories high who is entrusted with defending Japan from a host of bizarre monsters. But while his predecessors were national heroes, he is a pariah among the citizens he protects, who bitterly complain about the noise and destruction of property he causes. And Daisato has his own problems –an agent insistent on branding him with sponsor advertisements, an Alzheimer-afflicted grandfather who transforms into a giant in dirty underwear, and a family who is embarrassed by his often cowardly exploits. A wickedly deadpan spin on the giant Japanese superhero, BIG MAN JAPAN is an outrageous portrait of a pathetic but truly unique hero.

Uncle Creepy

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Black Christmas Blu-ray Review – Making Its U.K. Debut From 101 Films

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Starring Keir Dullea, Olivia Hussey, John Saxon, Art Hindle

Directed by Bob Clark

Distributed by 101 Films


There is only one Bob Clark Christmas movie I watch each year and it doesn’t feature Ralphie and his Red Ryder fantasies.

The endurance of Clark’s 1974 legendary slasher, Black Christmas, can be chalked up to a number of factors but the greatest is this: it is a disturbing film. I frequently come across horror message board topics asking for genuinely scary titles devoid of jump scares and excessive gore, but oddly enough Black Christmas doesn’t get many mentions. Maybe because it has been relegated to the “seasonal viewing only” heap? Regardless, fans will agree that the unsettling events portrayed don’t diminish with repeat viewings; if anything, subsequent watching serves to reinforce that it is a standout among a sea of imitators. The film is also a noted influence on John Carpenter’s Halloween (1978) – arguably the granddaddy of slasher films – adding a bit of prestige to its legacy.

The girls of Pi Kappa Sig are throwing a holiday party before the Christmas break when, toward the end of the night, they receive a phone call from a man they’ve been calling “The Moaner”, who has a habit of calling and making unusual noises. Jess (Olivia Hussey) initially accepts the call but also allows her other sisters to listen in, prompting outspoken Barb (Margot Kidder) to jump on the line and goad this mystery man. She and Phyllis (Andrea Martin) argue over the possibility this guy may be more threatening than anyone realizes. Unbeknownst to the ladies partying downstairs, however, moments before the phone call came through an unidentified person (very likely this same caller) snuck up the side of the house and into the attic. And once the party wraps up that same person is found hiding in Claire’s (Lynne Griffin) closet, whereupon she is strangled and placed in a rocking chair in the attic.

The next day Claire’s father comes to the campus to meet her and is understandably stood up. He heads to the sorority house and reports her missing, at which point the girls and their housemother, Mrs. Mac (Marian Waldman), agree to help him locate her. The file a report with the police, led by Lt. Fuller (John Saxon), and Jess also wrangles in Claire’s semi-boyfriend, Chris (Art Hindle), who helps bolster the search by raising hell at the station. Jess, meanwhile, is having problems of her own after confessing to her boyfriend, Peter (Keir Dullea), she is pregnant. She wants an abortion; he is vehemently against it. Claire’s absence grows more concerning when another missing girl is found dead in a nearby park, prompting the cops to ramp up their efforts. The girls are being picked off one by one as the unseen assailant remains hidden in the attic, continuing his phone calls that come after each murder. The cops suspect Peter may be a person of interest, as his interactions with Jess have become increasingly aggressive, but everyone is in for a shock when a tap on the line reveals the true source of the calls – they are coming from within the house.

With the film having been around for over forty years, and fans having been sold one “upgraded” home video version after the next, I suspect most readers are more interested in how Scream Factory’s Blu-ray stacks up against similar editions – which is basically my way of saying this review is a bit glib. For the uninitiated, however, let me say that I cannot overstate how exceptional Clark’s film is – never giving the killer an identity, an entire subplot concerning abortion, a palpable sense of grief for Claire’s father, a cast of interesting, unique people who don’t ever feel like archetypes, and a potentially downer of an ending. Some of his moviemaking tricks are brilliant, like the decision to create Billy’s voice from a combination of three different people (one a woman) and using interchangeable actors to portray the killer so you’re never quite sure who is in the attic. Carl Zittrer’s score is disorienting and minimal, making use of odd instrumentation to add extra unease; it also appears infrequently, giving the movie more of a real life quality. Black Christmas was a reasonable success upon release, more so commercially than critically, but time has been kind to this old gem and many now view it as an outright horror classic.

Hell, it was Elvis’ favorite Christmas movie.

Cult label 101 Films is giving the film its U.K. debut, presenting a transfer that is nearly identical to the remastered version Scream Factory released last year in North America. That 1.85:1 1080p picture is very likely the best this film can and will ever look. Black Christmas has a long home video history of looking very grainy, murky, dulled, and soft. I can’t say the new disc’s results are far off that mark but there are clear improvements. For one, grain has been resolved in a tighter field that looks less “noisy” and more “grindhouse-y”; do not expect an image clear as a crystal unicorn by any means. There is still softness to many faces and objects though detail looks far better here than it ever has before. Colors are more vibrant, too. Black levels run on the hazy side but they’re more stable than ever. The only noticeable difference between the Scream Factory and 101 Films versions are the latter is a touch brighter, allowing for a little more detail to filter through.

Audio is available via an English LPCM 5.1 surround sound track or a 2.0 stereo option. The multi-channel effort grants the unsettling soundtrack and Billy’s insane vocalizations more room to breathe, ratcheting up the creepiness thanks to the sense of immersion. Unlike the Scream Factory edition, the original mono track is not included.

Only a handful of extra features have been included, all of which can be found on the Scream Factory edition, too.

“Film and Furs: Remembering Black Christmas with Art Hindle” – Hindle, who still owns that jacket, talks about being a working actor in Canada when there wasn’t much work, as well as how he wound up auditioning for Clark for a different role.

“Victims and Virgins: Remembering Black Christmas with Lynne Griffin” – The actress who is most famous for having a plastic bag over her head tells a few tales from the set.

“Black Christmas Legacy” – This is a lot of interviews from the film’s actors and notable fans. I found it to be a bit tedious.

A handful of original TV and radio spots have been included, along with the “40th Anniversary Reunion Panel: Fan Expo Canada 2014”.

The package also includes a fold-out poster, reversible cover art, and a DVD copy.

Special Features:

  • Film and Furs: Remembering Black Christmas with Art Hindle
  • Victims and Virgins: Remembering Black Christmas with Lynne Griffin
  • Black Christmas Legacy
  • Original TV and Radio spots
  • 40th Anniversary Reunion Panel: Fan Expo Canada 2014
  • Black Christmas
  • Special Features
4.0

Summary

This is an easy recommendation for purchase if you live in the U.K., since this is the film’s Blu-ray debut. Stateside readers may find this region-free version attractive due to the price, but know that it does contain significantly fewer extras than the in-print Scream Factory release. Either way, fans on both sides of the Atlantic have a version worth buying.

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Take Out Serves Up Some KILLER Chinese Food

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Just when we thought that we’ve seen it all… the good folks over at Funny or Die have uploaded a flick that will terrify you for 4 minutes, and then an hour later you’ll be hungry again! That’s right, kids… steel your nerves for the arrival of Take Out!

The film from director Joe Douglass stars Tricia Alley, Jon Barbee, Junie Hoang, and Douglass. What happens when some leftover Chinese food decides to bite back? Found out right here, right now! Then vote… Funny? Or DIE?!?

Enjoy!

Take Out – watch more funny videos

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Investigate The Paranormal In The X-Files: Deep State Mobile Game

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“The X-Files” franchise will turn 25 next year, and what better way to celebrate than with the launch of a new video game? That’s right, the mobile game The X-Files: Deep State will be released in February 2018, and, in the style of the show, will feature a story about aliens and government conspiracies. The events of the game will take place in the year 2010, between seasons nine and ten of the show.

The X-Files: Deep State is being developed by Creative Mobile Games and will be published by FoxNext, and as with the majority of mobile games these days, will be free to play with in-game purchases.

Meanwhile, season 11 of “The X-Files” TV series will premiere on January 3, 2018. Which may be its last hurrah, because I dread to think what Disney will do with the franchise if they ultimately do end up purchasing 20th Century Fox.

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